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2 DAY WATERCOLOUR WORKSHOP

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Understand the process.
Bring your botanical painting to life.

Develop a botanical painting from the first observations and drawing to the final adjustments—with live guidance from Richa Sirohi, the artist behind UHAAPOH.

 

Over two afternoons, explore how watercolour works, practise essential techniques, and understand how flowers, leaves, and stems come together within a composition.

 

₹2,499 · Two days · Six hours of live learning
4–7 PM IST · Online via Zoom

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Who is this workshop for?

You are beginning with watercolour.
You want guidance through the materials, techniques, and stages of developing a painting.

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You are returning to painting.
You would like a structured opportunity to reconnect with your materials and rebuild confidence.

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You have tried watercolour and want to understand it better.
You want to move beyond isolated exercises and learn how to bring a complete botanical painting together.

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No previous botanical painting experience is required.

What You Will Learn

  • Observe a botanical subject and break it into manageable shapes.

  • Understand how water, pigment, and paper work together.

  • Practise wet-on-wet and wet-on-dry techniques.

  • Mix colours for flowers, leaves, and stems.

  • Explore edges, soft transitions, and light and dark relationships.

  • Make choices about placement, overlap, and space.

  • Review your painting and recognise what to develop—or leave alone.

  • We will work from a shared botanical reference, with room to vary your placement and colour choices.

Your two-day painting experience

Day 1 · Observe, understand, and begin

Start with an approach to watercolour that makes space for looking, testing, and learning.

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  • Get familiar with your materials and practise basic techniques.

  • Observe the subject and break down its forms.

  • Plan the overall placement of the flower, leaves, and stem.

  • Create a light drawing to guide your painting.

  • Explore colour mixing and begin painting the flower.

  • Discuss your progress through Q&A and personalised feedback.

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Your focus: Build an understanding of the process and develop the flower within your planned composition.

Day 2 · Develop, connect, and complete

Return to your painting and consider how its parts work together.

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  • Observe and paint leaves and stems.

  • Explore water control, edges, and soft transitions.

  • Develop connections and overlaps within the painting.

  • Review colour, contrast, and the balance of the composition.

  • Make final adjustments and identify a stopping point.

  • Reflect on your work through Q&A and personalised feedback.

 

Your focus: Bring the painting together and understand the decisions that help it feel complete.

Guidance during the workshop—and space to continue

I will demonstrate each stage, explain my decisions, and give you time to practise.

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You will have opportunities to ask questions and receive personalised feedback on both days. If your painting needs more time, continue afterwards and submit it within seven days after Day 2 for individual feedback.

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The aim is to develop both a painting and an understanding you can carry into your next piece.

What is included?

Six hours of live learning
Two three-hour Zoom sessions with demonstrations, guided practice, Q&A, and personalised feedback.

Lifetime access to session recordings
Revisit demonstrations and return to stages you would like to understand more deeply.

Participant resources
Downloadable session notes, reference materials, self-review prompts, and practice exercises.

Feedback after the workshop
Submit your completed workshop painting within seven days after Day 2 for individual feedback.

Lifetime WhatsApp community membership
Continue sharing your work, exchanging peer feedback, and accessing learning resources and updates. The group also provides space for feedback on shared work.

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Meet your teacher

Richa Sirohi · Artist behind UHAAPOH

I am a painter working primarily in watercolour and oil, with a focus on the Indian flora and fauna around me.

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My teaching grows from my studio practice: looking closely, understanding materials, and taking time to make and reconsider decisions.

In the words of those who learn with me

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Prabha

Noida

The photos of your work on social introduced me to your work. It has something very soft and sublime quality to it. Nature in its true form. I am hoping to learn to see nature likewise and represent it too. Free and raw, colourful and beautiful. Every bit of class and beyond is a rich experience. You have always had our eyes filled with wonderments and hearts with the joy of painting. Tackling overwhelming subjects with ease and fun yet encouraging me to do the same work in different ways to attain knowledge and skill. It’s an experience I am enjoying. Right from photography sessions to tools-experimentation, to letting go of any constriction of body and mind and freely yet observantly painting. I can go on and on. Absolutely, I enjoy, form, shape, colour, and nature mindfully. I tend to enjoy and Love my work more now. A long way still to go but loving the process and the pace. Art on the whole itself. I would describe Richa as a true artist and a wonderful person. Down to earth, encouraging, sharing and helping in every way to see you achieve what you dream. She can go all out to teach and yet be very straight at telling where you are faltering. If you are considering learning with Richa, you will truly love it. It’s immersive. Absolutely. Wish I had known and started earlier. But blessed to have at least now. I am a stickler for perfection and wanted to be more spontaneous. What she told me, which I shared with my other friends in the group, has helped me a lot. Still moving slowing ahead and waiting for more of such eye opening experiences. It’s a teaching of almost half a year of everyday art college sessions in a few classes with Richa. It’s not the speed, it’s the intensity and the hard work she puts in to help us gain skill and independent thinking. Before doing this my confidence and skill level was very low but after this I can understand where I went wrong and how it is ok and how I can almost draft my work in my own way and that especially I can THINK and DREAM. To Richa this is not just work or art classes it is her sharing her training, learning and experimentation with us. She blows life into her sessions. It does not start and end like a two hour class it’s a wholesome experience. She gives simple instructions, helps us to think in a structured manner, encourages us to experiment and enables us with the skill training. To me, the change cannot be quantified. It’s a whole experience only to be experienced. One of the things Richa has taught me is that art is an expression of oneself, and that I ‘am not a printer’ who is just copying or printing what is that I’m painting.

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Megha Manhas

Mumbai

“A really comprehensive workshop covering basics just not restricted to the class but a continued support and guidance till date. Like I have reiterated again n again that its just not about the class or the subject she taught ...she would hold your hand and guide you beyond the class. She is very approachable and the connection just doesn't end with the class. I still have a long way to go but I can see improvement in my work after her continued guidance and support. I also learnt about the lifting technique in painting and the myth about expensive art supplies. I have already given her reference to many of my friends.”

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Janus

Mumbai

Richa helped me to notice and analyse things in a well-informed and non-conventional manner. Finding more meaning in what I intend to draw and, importantly, the importance of knowing oneself first is another important teaching that greatly influences what we create. Richa simplifies every subject in the best possible way and this is mainly because of her understanding of it. She is one of the few Teachers one could be privileged to learn from. It is difficult to enlist every aspect with which she helped. But, the bottom line stays, she is an amazing Teacher! A blessing! It is a privilege to learn from Richa! Observation, what to notice, what to ignore, what to work on. Her wisdom, knowledge, curiosity, honesty and dedication. Depth of knowledge, expanse of wisdom, humility while correcting, level of understanding. Her influence in approaching the subject has been significant in shaping my outlook on art.”

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Meenakshi

Mohali

“A really comprehensive workshop just not restricted to the class but a continued support and guidance till date. Like I have reiterated again n again that its just not about the class or the subject she taught ...she would hold your hand and guide you beyond the class. She is very approachable and the connection just doesn't end with the class. I still have a long way to go but I can see improvement in my work after her continued guidance and support. I also learnt about the lifting technique in painting and the myth about expensive art supplies. I have already given her reference to many of my friends.”

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Aavni

Mumbai

I came to the learning experience with Richa for colours, refinement and authenticity. The most important learning experience for me has been how Richa always tries to push, try to open minds to new worlds, ideas and theories. You go above and beyond to help your students. 💗 The way I look at things has changed a lot. I see the basic structure, angles and shape, and light and darkness, values, which I had 0 clue about before. My approach to painting has changed million times. I see more, observe better. Your quick response and knowing what the blind spot is is spot on. I struggled with values, shapes, and how to draw. I was clueless to be honest. I would describe Richa as inspiring, hardworking, sincere, authentic and open-minded. It is a very immersive experience. Sky is the limit if you are open to learning. So many lessons have stayed with me. Art is hardwork, discipline. It’s okay to be where you are in your journey. Don’t go after fancy stuff; real artists can use anything and everything to make art. Breaking down of shapes and imagination in imagery beyond reality, and creating new with currently available tools. Freedom from jargons and show off. Raw hardwork and authenticity.

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Richa 

Hyderabad

I had dabbled in art at school, but I always wanted to learn much more. Watercolor, in particular, was something I wanted to explore so I could build my skills and become a more confident artist. Initially, it was simply about learning to paint with watercolors. But along the way, you taught me so much about colour, observation, and my approach to art. Most importantly, you helped me break many preconceived ideas and taught me to truly observe and feel, which has slowly become a way of life. I’ve realised that observing the subject is as important as the act of painting it. I now pause to notice the light, colours, shapes, details and emotions before I pick up my brush. I’ve learned that when you truly observe, you don’t just paint what you see, you begin to see what you would have otherwise missed. Yes, completely. I’ve become less focused on getting the painting “right” and more focused on understanding and experiencing what I’m painting. I now observe, experiment, embrace imperfections, and trust the process much more than I used to. I used to struggle with trusting my own artistic instinct, especially with colours and letting go of perfection. Your guidance helped me understand that there is no single “right” way to create art. It is about observing, experimenting, and finding my own expression. You have been a phenomenal teacher. As I always say, you are a university in yourself. Your depth of knowledge, observation, and the way you make us see art differently is truly inspiring. I would wholeheartedly recommend learning with you. My own journey has been so much more than learning watercolor. It has changed the way I observe, think, and connect with art. If you’re looking for a teacher who will not just teach you techniques but help you discover the artist within you, I would say, go for it! The 30-day observation challenge has stayed with me the most. Those small exercises made a huge difference in how I see and notice things. I also loved learning that watercolor doesn’t always have to be transparent. You can make it whatever you want it to be. And, most importantly, to enjoy the process and, as you say, “dance with it” when you have to. The works I’ve uploaded include my Gulmohar digital painting along with a couple of watercolour paintings I created during my learning journey with you. Together, they reflect how much my practice has evolved. What started as a desire to learn watercolour gradually changed the way I observe, understand colour, and approach an artwork. Surprisingly, those learnings have also transformed my digital painting. I now bring the same sense of observation, colour, and expression into both mediums.

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Roopali

Noida

At first, I was hoping to learn watercolour techniques as a beginner that would help me use the medium. Also botanical art as that fascinates me. I think the most important learning experience would be observing subjects more closely, breaking down a piece before starting to put it on paper and consistency for sure. I learned to look more closely at the light or values in a subject. I am learning to first break down my subject in shapes, values and also somewhere my intention for wanting to paint or draw a subject. For me this course was just the beginning, but I have understood a lot of basics. Richa is a warm, knowledgeable, and inspiring art educator who brings both depth and enthusiasm to her teaching. She encourages her pupils to experiment, explore, and find their own creative voice, while giving them the space and confidence to learn through the process. At the same time, she is firm when needed, providing the structure and guidance that helps students grow with focus and discipline. Her approach to art goes beyond simply teaching techniques or concepts. What I especially value is that she looks beyond just one technique. She brings in different references, ideas, and perspectives, which can really broaden the way you see and understand art. I would wholeheartedly recommend spending time, sharing learning with her. Richa creates the kind of space where you feel comfortable exploring and experimenting. She doesn’t impose a particular way of creating. Instead, she encourages you to discover your own approach while gently guiding you when you need direction. It would be an enriching experience for both. Many conversations have helped me gain confidence and enjoy the watercolour medium more. But I think the breaking down of the subject in my head before starting on paper has helped, then making notes and loyalty to the subject first are some. This is an exercise in learning landscape, and water using watercolours. It was a class where I also understood that every little detail need not be captured and values convey a piece best.

Prepare for the workshop

A comprehensive supply list will be shared after registration.

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​You will need watercolour paper, paints, brushes, a mixing palette, a pencil, an eraser, water containers, and a cloth or tissue. Keep spare watercolour paper nearby for practice

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Join from a device with a stable internet connection and arrange your workspace so you can comfortably watch and paint.

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Make time to look, paint, and understand.

Spend two afternoons developing a botanical painting with guidance—and leave with resources to support your continued practice.

 

2 DAY WATERCOLOUR WORKSHOP


₹2,499 · Two live sessions · Six hours   4–7 PM IST · Online via Zoom

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Frequently asked questions

Can I join as a beginner?
Yes. We begin with materials, observation, drawing, and basic techniques before applying them to the painting.

Do I need to attend the WATERCOLOUR MASTERCLASS first?
No. The masterclass can provide an introduction, but it is not a prerequisite for this workshop.

Will everyone paint the same subject?
We will use a shared botanical reference so the demonstrations and feedback are relevant to everyone. You can explore your own placement and colour choices.

Are both days included in ₹2,499?
Yes. The fee includes both live sessions, recordings, participant resources, WhatsApp community membership, and the feedback described above.

What if I cannot finish during the workshop?
You can continue afterwards. Submit your completed painting within seven days after Day 2 for individual feedback.

How long can I access the recordings?
You receive lifetime access to the session recordings.

What does the WhatsApp community include?
It is a space to share artwork, receive feedback, exchange peer reviews, and access learning resources and updates. Lifetime membership allows you to remain part of the community; feedback is not an on-demand service.

What if I miss part of a session?
You can revisit the recording. Attending live gives you the opportunity to ask questions and take part in the feedback discussions.
 

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