
WATERCOLOUR TRANSFORMATION TRACK

Deepen your understanding.
Paint with greater independence.
Develop a clearer understanding of form, colour, and composition—and learn to make thoughtful decisions in your own paintings.
Through four live sessions, structured practice, and ongoing feedback, explore subjects rooted in Indian flora and fauna. Learn to observe and interpret what you see, then bring your learning together in an independent final painting.
₹5,499 · Four live sessions · Online via Zoom
4–7 PM IST · Weekday and weekend batches
Up to 36 hours of learning and practice, including 12 hours of optional exploration.
Is this track for you?
This track is for you if you want to:
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Strengthen your watercolour fundamentals through sustained practice.
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Understand how to create form, volume, and depth.
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Make more informed choices about colour and composition.
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Interpret a subject and develop your own painting decisions.
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Learn through independent work, reflection, and feedback.
Come prepared to spend time painting between sessions. This practice is an essential part of the experience.
What you will develop
Observation and interpretation
Learn to notice shapes, proportions, overlaps, and negative spaces. Consider what matters in your subject and how you want to express it.
Form, volume, and depth
Explore how light, shadow, edges, and colour relationships help a subject feel three-dimensional.
Colour understanding
Use colour theory in practical ways: mix with intention, recognise relationships, and consider how colours affect one another within a painting.
Watercolour technique
Deepen your understanding of water control, wet-on-wet painting, layering, and transitions through guided experiments.
Composition and decision-making
Explore placement, visual balance, contrast, and space. Learn to review the whole painting as you work.
Independent practice
Use prompts, feedback, and self-assessment to identify your next steps and develop a personal approach to watercolour.
Your four-session journey
Session 1 · Observe and understand form
Begin by looking closely at your subject and identifying the structures that hold it together.
Explore proportion, shape, light and dark, and negative space. Use drawing and watercolour studies to simplify complex forms and establish a clear starting point.
Practice focus: Observation, structural drawing, and studies of light and dark.
Session 2 · Explore colour, volume, and water
Investigate how colour relationships and watercolour behaviour influence the sense of form.
Practise colour mixing, wet-on-wet methods, and edge control. Explore how transitions and contrasts create depth and presence.
Practice focus: Colour studies and experiments in volume, moisture, and edges.
Session 3 · Interpret and compose
Bring your observations and technical understanding into a considered composition.
Explore how subjects relate within the frame. Make choices about placement, overlap, emphasis, and space, and begin planning your independent project.
Practice focus: Composition studies and development of your chosen subject.
Session 4 · Review, refine, and resolve
Learn to assess a painting as a whole and recognise what it needs.
Consider where to strengthen a relationship, soften an edge, adjust contrast, or leave an area untouched. Review your progress and clarify the next steps for your independent final painting.
Practice focus: Complete and reflect on your final project during the submission week.
Up to 36 hours of learning and practice
12 hours
Four three-hour sessions with teaching, demonstrations, guided painting, and feedback.
Live online sessions

12 hours
Exercises, studies, and project work that help you apply and revisit your learning.
Structured home practice

12 hours
Additional experiments and personal studies for those who want to spend more time developing their practice.
Optional deeper exploration

Feedback throughout your practice
Learning continues between the live sessions.
Share your exercises, work in progress, and questions through the WhatsApp group. Receive individual feedback and group reviews to help you understand what is working, where you are getting stuck, and what to try next.
Support continues throughout the track and the seven-day final submission window.
Group discussions also offer opportunities to learn from other participants’ approaches, questions, and discoveries.
Your independent final project
Choose your own subject from flora and fauna and develop an original watercolour painting that brings together your learning.
Make decisions about the reference, composition, colour relationships, and painting process, with guidance and constructive feedback from Richa.
Submit your final painting within seven days after the fourth live session.
A Certificate of Completion is awarded on submission of your independent final artwork. The project is an opportunity to apply your learning and recognise your progress.
What is included?
Four live online sessions with Richa Sirohi.
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Demonstrations and guided watercolour practice.
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Structured exercises and optional exploration prompts.
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Individual feedback and group reviews.
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WhatsApp support during the track and final submission period.
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Learning materials, video demonstrations, art vocabulary, and templates.
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Rubrics for reviewing your own work.
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Guidance and feedback on your independent final project.
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A Certificate of Completion upon submission of your independent artwork.

Meet your teacher
Richa Sirohi · Artist behind UHAAPOH
I am a painter working primarily in watercolour and oil, with a focus on the Indian flora and fauna around me.
My teaching grows from my studio practice: looking closely, understanding materials, and taking time to make and reconsider decisions.
In the words of those who learn with me

Prabha
Noida
The photos of your work on social introduced me to your work. It has something very soft and sublime quality to it. Nature in its true form. I am hoping to learn to see nature likewise and represent it too. Free and raw, colourful and beautiful. Every bit of class and beyond is a rich experience. You have always had our eyes filled with wonderments and hearts with the joy of painting. Tackling overwhelming subjects with ease and fun yet encouraging me to do the same work in different ways to attain knowledge and skill. It’s an experience I am enjoying. Right from photography sessions to tools-experimentation, to letting go of any constriction of body and mind and freely yet observantly painting. I can go on and on. Absolutely, I enjoy, form, shape, colour, and nature mindfully. I tend to enjoy and Love my work more now. A long way still to go but loving the process and the pace. Art on the whole itself. I would describe Richa as a true artist and a wonderful person. Down to earth, encouraging, sharing and helping in every way to see you achieve what you dream. She can go all out to teach and yet be very straight at telling where you are faltering. If you are considering learning with Richa, you will truly love it. It’s immersive. Absolutely. Wish I had known and started earlier. But blessed to have at least now. I am a stickler for perfection and wanted to be more spontaneous. What she told me, which I shared with my other friends in the group, has helped me a lot. Still moving slowing ahead and waiting for more of such eye opening experiences. It’s a teaching of almost half a year of everyday art college sessions in a few classes with Richa. It’s not the speed, it’s the intensity and the hard work she puts in to help us gain skill and independent thinking. Before doing this my confidence and skill level was very low but after this I can understand where I went wrong and how it is ok and how I can almost draft my work in my own way and that especially I can THINK and DREAM. To Richa this is not just work or art classes it is her sharing her training, learning and experimentation with us. She blows life into her sessions. It does not start and end like a two hour class it’s a wholesome experience. She gives simple instructions, helps us to think in a structured manner, encourages us to experiment and enables us with the skill training. To me, the change cannot be quantified. It’s a whole experience only to be experienced. One of the things Richa has taught me is that art is an expression of oneself, and that I ‘am not a printer’ who is just copying or printing what is that I’m painting.

Megha Manhas
Mumbai
“A really comprehensive workshop covering basics just not restricted to the class but a continued support and guidance till date. Like I have reiterated again n again that its just not about the class or the subject she taught ...she would hold your hand and guide you beyond the class. She is very approachable and the connection just doesn't end with the class. I still have a long way to go but I can see improvement in my work after her continued guidance and support. I also learnt about the lifting technique in painting and the myth about expensive art supplies. I have already given her reference to many of my friends.”

Janus
Mumbai
Richa helped me to notice and analyse things in a well-informed and non-conventional manner. Finding more meaning in what I intend to draw and, importantly, the importance of knowing oneself first is another important teaching that greatly influences what we create. Richa simplifies every subject in the best possible way and this is mainly because of her understanding of it. She is one of the few Teachers one could be privileged to learn from. It is difficult to enlist every aspect with which she helped. But, the bottom line stays, she is an amazing Teacher! A blessing! It is a privilege to learn from Richa! Observation, what to notice, what to ignore, what to work on. Her wisdom, knowledge, curiosity, honesty and dedication. Depth of knowledge, expanse of wisdom, humility while correcting, level of understanding. Her influence in approaching the subject has been significant in shaping my outlook on art.”

Meenakshi
Mohali
“A really comprehensive workshop just not restricted to the class but a continued support and guidance till date. Like I have reiterated again n again that its just not about the class or the subject she taught ...she would hold your hand and guide you beyond the class. She is very approachable and the connection just doesn't end with the class. I still have a long way to go but I can see improvement in my work after her continued guidance and support. I also learnt about the lifting technique in painting and the myth about expensive art supplies. I have already given her reference to many of my friends.”

Aavni
Mumbai
I came to the learning experience with Richa for colours, refinement and authenticity. The most important learning experience for me has been how Richa always tries to push, try to open minds to new worlds, ideas and theories. You go above and beyond to help your students. 💗 The way I look at things has changed a lot. I see the basic structure, angles and shape, and light and darkness, values, which I had 0 clue about before. My approach to painting has changed million times. I see more, observe better. Your quick response and knowing what the blind spot is is spot on. I struggled with values, shapes, and how to draw. I was clueless to be honest. I would describe Richa as inspiring, hardworking, sincere, authentic and open-minded. It is a very immersive experience. Sky is the limit if you are open to learning. So many lessons have stayed with me. Art is hardwork, discipline. It’s okay to be where you are in your journey. Don’t go after fancy stuff; real artists can use anything and everything to make art. Breaking down of shapes and imagination in imagery beyond reality, and creating new with currently available tools. Freedom from jargons and show off. Raw hardwork and authenticity.

Richa
Hyderabad
I had dabbled in art at school, but I always wanted to learn much more. Watercolor, in particular, was something I wanted to explore so I could build my skills and become a more confident artist. Initially, it was simply about learning to paint with watercolors. But along the way, you taught me so much about colour, observation, and my approach to art. Most importantly, you helped me break many preconceived ideas and taught me to truly observe and feel, which has slowly become a way of life. I’ve realised that observing the subject is as important as the act of painting it. I now pause to notice the light, colours, shapes, details and emotions before I pick up my brush. I’ve learned that when you truly observe, you don’t just paint what you see, you begin to see what you would have otherwise missed. Yes, completely. I’ve become less focused on getting the painting “right” and more focused on understanding and experiencing what I’m painting. I now observe, experiment, embrace imperfections, and trust the process much more than I used to. I used to struggle with trusting my own artistic instinct, especially with colours and letting go of perfection. Your guidance helped me understand that there is no single “right” way to create art. It is about observing, experimenting, and finding my own expression. You have been a phenomenal teacher. As I always say, you are a university in yourself. Your depth of knowledge, observation, and the way you make us see art differently is truly inspiring. I would wholeheartedly recommend learning with you. My own journey has been so much more than learning watercolor. It has changed the way I observe, think, and connect with art. If you’re looking for a teacher who will not just teach you techniques but help you discover the artist within you, I would say, go for it! The 30-day observation challenge has stayed with me the most. Those small exercises made a huge difference in how I see and notice things. I also loved learning that watercolor doesn’t always have to be transparent. You can make it whatever you want it to be. And, most importantly, to enjoy the process and, as you say, “dance with it” when you have to. The works I’ve uploaded include my Gulmohar digital painting along with a couple of watercolour paintings I created during my learning journey with you. Together, they reflect how much my practice has evolved. What started as a desire to learn watercolour gradually changed the way I observe, understand colour, and approach an artwork. Surprisingly, those learnings have also transformed my digital painting. I now bring the same sense of observation, colour, and expression into both mediums.

Roopali
Noida
At first, I was hoping to learn watercolour techniques as a beginner that would help me use the medium. Also botanical art as that fascinates me. I think the most important learning experience would be observing subjects more closely, breaking down a piece before starting to put it on paper and consistency for sure. I learned to look more closely at the light or values in a subject. I am learning to first break down my subject in shapes, values and also somewhere my intention for wanting to paint or draw a subject. For me this course was just the beginning, but I have understood a lot of basics. Richa is a warm, knowledgeable, and inspiring art educator who brings both depth and enthusiasm to her teaching. She encourages her pupils to experiment, explore, and find their own creative voice, while giving them the space and confidence to learn through the process. At the same time, she is firm when needed, providing the structure and guidance that helps students grow with focus and discipline. Her approach to art goes beyond simply teaching techniques or concepts. What I especially value is that she looks beyond just one technique. She brings in different references, ideas, and perspectives, which can really broaden the way you see and understand art. I would wholeheartedly recommend spending time, sharing learning with her. Richa creates the kind of space where you feel comfortable exploring and experimenting. She doesn’t impose a particular way of creating. Instead, she encourages you to discover your own approach while gently guiding you when you need direction. It would be an enriching experience for both. Many conversations have helped me gain confidence and enjoy the watercolour medium more. But I think the breaking down of the subject in my head before starting on paper has helped, then making notes and loyalty to the subject first are some. This is an exercise in learning landscape, and water using watercolours. It was a class where I also understood that every little detail need not be captured and values convey a piece best.
Prepare for the workshop
A comprehensive supply list will be shared after registration.
You will need watercolour paper, paints, brushes, a mixing palette, a pencil, an eraser, water containers, and a cloth or tissue. Keep spare watercolour paper nearby for practice
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Join from a device with a stable internet connection and arrange your workspace so you can comfortably watch and paint.
Take the next step in your watercolour practice.
Give yourself time to observe, experiment, receive feedback, and develop a painting through your own decisions.
WATERCOLOUR TRANSFORMATION TRACK
₹5,499 · Four live sessions · Guided practice and feedback
4–7 PM IST · Online via Zoom
Frequently asked questions
How is this different from the 2 DAY WATERCOLOUR WORKSHOP?
The two-day workshop guides you through a shared botanical painting. The Transformation Track provides more time to investigate form, colour, depth, and composition, practise between sessions, receive feedback, and develop an independent final project.
Do I need to have attended another programme with Richa?
Previous attendance is not required. If you are completely new to watercolour, the WATERCOLOUR MASTERCLASS can help you become familiar with the basics. Get in touch if you would like help deciding where to start.
Are all 36 hours live?
No. There are 12 hours of live teaching, 12 hours of structured home practice, and 12 hours of optional deeper exploration.
Will I receive feedback between sessions?
Yes. You can share your practice and questions through WhatsApp for individual feedback and group review during the track and final submission period.
Do I choose my own final project?
Yes. Choose a flora or fauna subject you would like to explore and develop your own painting, supported by guidance and feedback.
When is the final submission due?
Within seven days after your fourth live session. The exact deadline will be shared with your batch.
How do I receive the certificate?
Submit your own independent final artwork within the final submission window to receive your Certificate of Completion.
What materials will I need?
You will work with watercolour paints, watercolour paper, brushes, a palette, drawing materials, water containers, and a cloth or tissue. Contact us before booking if you would like to check the suitability of your existing materials.
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